IKTA – my involvement with this pioneering, creative, collaborative, experimental sound group

The coming weeks are hard work for artist and educator Victoria Trinder who is officially launching IKTA (which stands for I Keep Thinking About) the creative, collaborative experimental sound network she founded in 2012. Victoria has been busy all year while on her MA Fine Art course at Chelsea College of Art & Design where she has been exploring her sound art practice through collaborating with other creatives including designers, musicians, curators and technicians. Victoria will launch IKTA at a VIP party during the private view for the Chelsea College of Art & Design end of course show on 6th September. Below is an introductory film documentary, during which IKTA members including myself talk about the organisation.

Victoria has been building interactive sound objects, sound sculptures, listening posts and instruments to use in recording and manipulating sound ranging from an underwater microphone to a percussive mechanism housed inside an emptied food jar! Victoria uses traditional modes of composition together with experimental improvisation and she also hosts IKTA as an Internet Radio station that acts as a platform for emerging creative voices regardless of age, gender and cultural backgrounds.

IKTA manifesto

IKTA manifesto

IKTA frequently broadcasts experimental sound sessions online and IKTA is active across all the online social media platforms as well as Sound Cloud where tracks are posted for listeners around the world to comment on.

For the IKTA launch, Victoria has been working on creating a special VIP area on the Cookhouse building balcony which will only be accessible to people that IKTA has collaborated with over the past year. It is a celebration of the work of the organisation but the event will also become a performance piece itself, as the VIP party is watched by onlookers in the Rootstein Hopkins Parade Ground below at Chelsea College of Art & Design during the MA show private view.

IKTA launch for MA show private view at Chelsea College of Art & Design, on the Cookhouse building balcony

IKTA launch for MA show private view at Chelsea College of Art & Design, on the Cookhouse building balcony

There will be special sound performances and recordings being played on the night by IKTA members and throughout the show run and the lead up to it, the space will operate as an open creative, collaborative sound lab for sound experiments, recordings and rehearsals. Victoria has been preparing the area by doing everything from sewing together sails for a canopy in case of rain, putting together hanging baskets of flowers and even a red carpet!

I was lucky enough yesterday to host a live IKTA broadcast and live sound lab in my home where Victoria and I created a sound scape of the IKTA manifesto using saxophone, clarinet and our voices to interpret the text of the manifesto and you can listen to the results below.


I have found being involved in IKTA to be an extremely rewarding experience as IKTA has an open to all policy, meaning that anyone wherever they are based can be involved online or in person and there is no need for any traditional musical training or previous experience of working with experimental sound. IKTA members range from age 17 to those whose practice is based in spatial and technology design or musical education, but all these skills and different backgrounds are united to experiment with sounds together.

Victoria Trinder & Kate Ross during their IKTA live sound lab session

Victoria Trinder & Kate Ross during their IKTA live sound lab session

For me, in my own curatorial practice, I have always been fascinated by the alternative side of music, leading to sound art. So when I met Victoria and months later, when I became curator at Notting Hill Arts Club, I was thrilled to be able to invite IKTA to perform a live sound lab session at the launch of my multi arts series at the venue, which you can read about here.

Simon West and Victoria Trinder play an IKTA Live set for SYNESTHESIA I at Notting Hill Arts Club

Simon West and Victoria Trinder play an IKTA Live set for SYNESTHESIA I at Notting Hill Arts Club

Although I am a classically trained singer, IKTA has allowed me to explore a different side to music making which is less rigid and prescribed. I was even convinced to play clarinet which I haven’t done for years and I have also tried experimenting with spoken word! Click here to see a Vine Video of me rediscovering my clarinet and its thanks to IKTA that I’ve started to use Vine too, which is a mobile app owned by Twitter that enables its users to create and post short video clips.

Here’s to the official launch of IKTA and its future!


SYNESTHESIA I at Notting Hill Arts Club – a successful launch to my new visual art & sound series

projected visuals for SYNESTHESIA I at Notting Hill Arts Club

projected visuals for SYNESTHESIA I at Notting Hill Arts Club

The launch of the new visual arts & sound series I am curating for Notting Hill Arts Club was a real success with a great night of art, sounds and music at the Club enjoyed by over 100 people!

Horseless Headmen play live for SYNESTHESIA I at Notting Hill Arts Club

Horseless Headmen play live for SYNESTHESIA I at Notting Hill Arts Club

Nicky Carvell‘s ‘Naff Graphic‘ Decals suit the industrial space of the Club perfectly and you can see them on display until the end of July.

work by Nicky Carvell for En Visage - SYNESTHESIA I at Notting Hill Arts Club

work by Nicky Carvell for En Visage – SYNESTHESIA I at Notting Hill Arts Club

IKTA performed an excellent  set with experimental layered sounds including pre recorded elements and live playing on saxophones, percussion and electronic beats. On the wall  behind the stage, short films by IKTA members Victoria Trinder, Simon West, Zachary Apo-Tsang  and Rosie Stewart fluttered in the background giving the performance area a more visually heightened atmosphere which worked well with the projections of Nicky Carvell’s specially designed En Visage logo.

Simon West and Victoria Trinder play an IKTA Live set for SYNESTHESIA I at Notting Hill Arts Club

Simon West and Victoria Trinder play an IKTA Live set for SYNESTHESIA I at Notting Hill Arts Club

 

the crowd enjoying SYNESTHESIA I at Notting Hill Arts Club

the crowd enjoying SYNESTHESIA I at Notting Hill Arts Club

 

Horseless Headmen then played their set with a range of instruments including the biggest saxophone I’ve ever seen, flute, bass guitar, guitar and a number of weird and wonderful percussive items including drums from Nick Cash. Finally, Half an Abortion – Pete Cann tested the limits of the Club’s sound system with his closing set.

En Visage logo by Nicky Carvell for SYNESTHESIA I at Notting Hill Arts Club

En Visage logo by Nicky Carvell for SYNESTHESIA I at Notting Hill Arts Club

 

 

 

 

 

Special thanks to all the artists involved, Neil the sound technician at the Club and Calum and Dom who I work with at the Club on the series.

More photos from the night can be seen on my Facebook page here and for more information about the artists, please see a previous blog post I wrote here.

I’m looking forward to SYNESTHESIA II which will happen in August with new visual artist, film makers, music and more!


SYNESTHESIA I – launching my new visual art & sound series at Notting Hill Arts Club, curated by Kate Ross – Curatorial Curiosities

The new visual art and sound series that I am curating for Notting Hill Arts Club launches on the evening of Monday 3rd June with SYNESTHESIA I. I chose the name SYNESTHESIA for the series as it describes an experience that I have always been fascinated with, whether in connection to artist Wassily Kandinsky’s ‘music-painting’ or with regards to contemporary artists creating video art that stimulates simultaneous reactions to sight and sound. I also thought that the name SYNESTHESIA sounded like a club night which would work well for the venue – Notting Hill Arts Club. I think the name also stands out clearly and looks eye catching on the flyer that artist Nicky Carvell has designed for the night.

digital flyer for SYNESTHESIA I designed  by Nicky Carvell

digital flyer for SYNESTHESIA I designed by Nicky Carvell

ART SHOW

En Visage – Nicky Carvell

For SYNESTHESIA I Nicky Carvell has produced large-scale ‘Naff Graphic’ decals, mirroring the huge cut outs of musicians and sports people which still adorn the now stripped out interior of the Visage nightclub in Leisure World.

Sorry luv, you’re not dressed right.” Dismissed by the bouncer beneath the glare of the jaunty neon sign, Visage Nightclub was my teenage anathema,’ writes Carvell. ‘Having journeyed to Leisure World with my friends, I was not allowed in again despite the irony that I was the only one dressed in leisure wear, a rejection which embellished the notion of Visage as a glamorous otherworld that I would never experience – it is now due to be demolished.

The title “En Visage” signals this sophistication onto a fantasy land that will remain just that. It is this artificial jazzy sign that still fascinates me; the dream overriding the grotty reality.
Carvell sees her own cut outs as ‘signs’ to an alternate realm where anything is possible. Indulging on the look of ’80s post-modern record covers, fabric prints and TOTP set designs, these signs envisage uplifting visions which fizz before the eyes, dynamically flashing, always on the precipice.
Nicky Carvell’s work celebrates commercial visuals which may be stylistically outdated, but yet retain a powerful presence through their innate dynamism. Carvell sees her work as a simultaneous deconstruction and veneration of mass-market visuals, becoming retro yet progressive at the same time.Nicky Carvell has exhibited in London, New York, Milan and The Netherlands.
She has a BA in Fine Art from Goldsmiths College and a Postgraduate Diploma in Fine Art from Royal Academy Schools, London. www.nickycarvell.com

Nicky Carvell’s En Visage works will be on display until August 2013.
Nicky Carvell's En Visage logo designed especially for the exhibition at Notting Hill Arts Club

Nicky Carvell’s En Visage logo designed especially for the exhibition at Notting Hill Arts Club

LIVE PERFORMANCES

IKTA LIVE – Victoria Trinder & Collaborators

IKTA presents a session of experimental sound play, featuring Victoria Trinder and special instrumentalist guests. Working with traditional modes of composition in conjunction with and interactive sound objects that introduce an element of the unpredictable.

IKTA logo

IKTA logo

Victoria Trinder works in collaboration with other creatives operating within a multidisciplinary arena. She highlights and documents exchanges that take place through dialogue and activity, championing the symbiotic relationships that are embedded in our contemporary day-to-day society.

saxophone is amplified  & ready for an IKTA live sessoin

saxophone is amplified & ready for an IKTA live session

Trinder founded IKTA (I Keep Thinking About) an Internet Radio station that acts as a platform for emerging creative voices regardless of age, gender and cultural backgrounds. IKTA broadcasts experimental sound sessions that occur at headquarters in North London.

equipment set up for an IKTA live rehearssal

equipment set up for an IKTA live rehearssal

Victoria Trinder holds a BA in Fine Art and is currently studying for her MA in Fine Art at Chelsea College of Art and Design. She has exhibited in the UK and internationally, recently being selected for feature at Pnem Sound Arts Festival, Holland. She holds a Post Graduate Teaching Certificate, obtained from Goldsmiths in 2008 and continues to work with adults and young people in and around London where she lives. www.victoriatrinder.com

HORSELESS HEADMEN

Any band that can play ‘spontaneous soundscapes’ influenced by avant-rock, progressive dub, classical, latin and soul with some electro-industrial and psychedelic skronk have got to be great musicians, and that sure applies to GD Painting and Horseless Headmen, whose improvisations may feature ‘churning groove, soaring melody, glorious racket and epic abstraction.’ Fans of Can, Faust, King Crimson and Song X will like this too. www.facebook.com/HorselessHeads

Horseless Headmen performing

Horseless Headmen performing

HALF AN ABORTION

Half An Abortion is far more considered than the gonzo band name would have you expect: this is carefully-layered, properly physical noise, some of which could be lazily described as ‘harsh’. Yet it actually has a very engaging flow, a wry humour and a structure that invites the listener to climb all over it.

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I am really excited about the first event in the series and invite you all to come and join in at Notting Hill Arts Club. Please join the Facebook event through this link.