The coming weeks are hard work for artist and educator Victoria Trinder who is officially launching IKTA (which stands for I Keep Thinking About) the creative, collaborative experimental sound network she founded in 2012. Victoria has been busy all year while on her MA Fine Art course at Chelsea College of Art & Design where she has been exploring her sound art practice through collaborating with other creatives including designers, musicians, curators and technicians. Victoria will launch IKTA at a VIP party during the private view for the Chelsea College of Art & Design end of course show on 6th September. Below is an introductory film documentary, during which IKTA members including myself talk about the organisation.
Victoria has been building interactive sound objects, sound sculptures, listening posts and instruments to use in recording and manipulating sound ranging from an underwater microphone to a percussive mechanism housed inside an emptied food jar! Victoria uses traditional modes of composition together with experimental improvisation and she also hosts IKTA as an Internet Radio station that acts as a platform for emerging creative voices regardless of age, gender and cultural backgrounds.
IKTA frequently broadcasts experimental sound sessions online and IKTA is active across all the online social media platforms as well as Sound Cloud where tracks are posted for listeners around the world to comment on.
For the IKTA launch, Victoria has been working on creating a special VIP area on the Cookhouse building balcony which will only be accessible to people that IKTA has collaborated with over the past year. It is a celebration of the work of the organisation but the event will also become a performance piece itself, as the VIP party is watched by onlookers in the Rootstein Hopkins Parade Ground below at Chelsea College of Art & Design during the MA show private view.
There will be special sound performances and recordings being played on the night by IKTA members and throughout the show run and the lead up to it, the space will operate as an open creative, collaborative sound lab for sound experiments, recordings and rehearsals. Victoria has been preparing the area by doing everything from sewing together sails for a canopy in case of rain, putting together hanging baskets of flowers and even a red carpet!
I was lucky enough yesterday to host a live IKTA broadcast and live sound lab in my home where Victoria and I created a sound scape of the IKTA manifesto using saxophone, clarinet and our voices to interpret the text of the manifesto and you can listen to the results below.
I have found being involved in IKTA to be an extremely rewarding experience as IKTA has an open to all policy, meaning that anyone wherever they are based can be involved online or in person and there is no need for any traditional musical training or previous experience of working with experimental sound. IKTA members range from age 17 to those whose practice is based in spatial and technology design or musical education, but all these skills and different backgrounds are united to experiment with sounds together.
For me, in my own curatorial practice, I have always been fascinated by the alternative side of music, leading to sound art. So when I met Victoria and months later, when I became curator at Notting Hill Arts Club, I was thrilled to be able to invite IKTA to perform a live sound lab session at the launch of my multi arts series at the venue, which you can read about here.
Although I am a classically trained singer, IKTA has allowed me to explore a different side to music making which is less rigid and prescribed. I was even convinced to play clarinet which I haven’t done for years and I have also tried experimenting with spoken word! Click here to see a Vine Video of me rediscovering my clarinet and its thanks to IKTA that I’ve started to use Vine too, which is a mobile app owned by Twitter that enables its users to create and post short video clips.
Here’s to the official launch of IKTA and its future!