2016 starts, reviewing 2013 – 2015 and my film programming
Posted: January 8, 2016 Filed under: Film & Artists' Moving Image | Tags: cinema, film, film director, film programmer, JW3, Q&As Leave a commentHappy New Year! As we begin 2016 and go back to work after the break, I was prompted to think back over work during the last couple of years since I started programming and running JW3 Cinema. For some time I have wanted to create a list of all the Q&As / special events with film directors etc that I have organised and chaired or moderated at JW3 Cinema so that I have a record of them and also in case my contacts can be helpful for others wanting to get in touch with those people. So why not do so now … here goes!
2013
September – How I Live Now preview screening. Q&A with Meg Rosoff, author of the book How I Live Now. I chaired the Q&A
October – Harold and Maude introduced by LOCO London Comedy Film Festival
– Foodies Film Club and Keshet Israeli TV Club also took place during this month
November – Coming To America introduced by Doc Brown, presented by LOCO London Comedy Film Festival
– Foodies Film Club, Keshet Israeli TV Club and Misogynist Film Club also took place during this month
December – What’s Cooking introduced by the film’s director Gurinder Chadha
– Comedy Film Club, Keshet Israeli TV Club and Misogynist Film Club also took place during this month
2014
January – Rough Cut plus Q&A with the filmmaker Jamie Shovlin. I chaired the Q&A
February – Artists’ Film Salon: I curated an evening of short films from 10 filmmakers and did a special feature interview with filmmakers Whitty Gordon Projects
– I planned and ran a special edible cinema style Foodies Film Club evening with Steph Saffer of Kokopelli’s Chocolate with the film Romantics Anonymous
– I hosted and presented at a Film London Exhibitors’ Breakfast event which I held at JW3 Cinema
– I organised a screening of the opera film Don Giovanni (Juan) including an in conversation with the film’s director (Director of Opera for the Royal Opera House, London) and Norman Lebrecht in the JW3 Howard Hall
– Comedy Film Club, Foodies Film Club and Keshet Israeli TV Club also took place during this month
March – Clueless introduced by Charlie Lyne, presented by LOCO London Comedy Film Festival
– I organised an Oscars™ Warm Up Night screening of Searching For Sugar Man and panel discussion with Simon Chinn, Jason Solomons and Nicola Christie with special activities
– Comedy Film Club, Foodies Film Club, Keshet Israeli TV Club and Misogynist Film Club also took place during this month
April – Artists’ Film Salon: I curated an evening of short films from 10 filmmakers and did a special feature interview with filmmaker Rebecca Feiner
– during late April to May I put together an Israel mini Season – 66 Years: The Party and the Political of film screenings and events
May – Advanced Style special screening with director and cast Q&A which I chaired
– Regina screening with panel discussion including the film’s director, Rabbi Laura Janner Klausner, Adam Ganz and Emily Kasriel
– Comedy Film Club and Foodies Film Club also took place during this month
June – I organised 3 film screenings as part of the London wide Anxiety Arts Festival
– I worked with SERET London Israeli Film & Television Festival on a number of screenings and events during this month for their annual festival
– Artists’ Film Salon: I curated an evening of short films from 8 filmmakers and did a special feature interview with filmmaker Lewis Rose
– Comedy Film Club, Foodies Film Club and Keshet Israeli TV Club also took place during this month
– we also had a go at outdoor screenings for the first time with 3 taking place, which I organised with the Lost Picture Show
July – Finding Mike special film screening with panel discussion including the film’s director, executive producer and others
August – special screening of 112 Weddings for Tu B’Av, Jewish Israeli festival of love
September – Holes In My Shoes plus Q&A with the film’s director
– The Woman At The End Of The World plus Q&A with the film’s director
– Comedy Film Club, Foodies Film Club and Keshet Israeli TV Club also took place during this month
October – I initiated Arts On Screen series (live opera, ballet, theatre via satellite from London and other venues) from this month, still popular and continuing into 2016
– I organised a one off Chantal Akerman Day symposium with A Nos Amours including speakers: Chantal Akerman, Prosessor Griselda Pollock
– Foodies Film Club and Keshet Israeli TV Club also took place during this month
November – I oversaw Artists’ Film Salon: an evening of short films from 12 filmmakers, curated by Lewis Rose
– UK Jewish Film Festival took place in the cinema and JW3 Howard Hall with a large number of special screenings and events
– Comedy Film Club and Keshet Israeli TV Club also took place during this month
December – 2 special screenings as part of the inaugural UK Jewish Comedy Festival
– A Short Film About Killing special screening as part of the Institute of Contemporary Arts Kieslowski retrospective
– I organised a screening of Magic Mirror and Q&A with the film’s director adn Helena Reckitt
– in this month I launched the monthly Film Night Out for those in their 20s and 30s in this month, still popular and taking place in 2016. Thanks to training course I carried out with Independent Cinema Office
– Foodies Film Club and Keshet Israeli TV Club also took place during this month
– Arts On Screen and Exhibition On Screen also took place during this month
2015
January – special screenings for Holocaust Memorial Day
– Comedy Film Club and Keshet Israeli TV Club also took place during this month
February – I organised a series of 3 films to celebrate Storytelling Through Film, coinciding with the Society for Storytelling’s National Storytelling Week
– Including Samuel special screening with Q&A in partnership with The Judith Trust, in recognition of Jewish Disability Awareness Month
– Comedy Film Club and Jung and Film: Creativity and Madness presented by the Confederation of Analytical Psychology took place this month
March – Artists’ Film Salon, Comedy Film Club, and Foodies Film Club took place during this month
April – special screenings to celebrate Yom Ha’atzma’ut (Israel Independence Day)
– Jung and Film: Creativity and Madness presented by the Confederation of Analytical Psychology took place this month
May – I organised a special screening of Queen Of Hearts with London’s Little Italy On Film plus Q&A with the film’s screenwriter Tony Grisoni
– Comedy Film Club and Foodies Film Club In The Kitchen with Kosher Roast took place during this month
June – I organised a screening of the film Hebreo: The Search For Salomone Rossi introduced by the film’s director and with a concert from Minim Singers and His Majestys Sagbutts and Cornetts which I sang in
– I organised a screening of the film We Are Many and Q&A with the film’s director Amir Amirani which I chaired
– special screening and dance workshop with the film Shall We Dance
– screening of Hedy & Yumi Crossing The Bridge plus Q&A with Hedy and Yumi from the film
– I worked with SERET London Israeli Film & Television Festival on a number of screenings and events during this month for their annual festival
July – Breath Made Visible film screening and discussion celebrating dance artists Anna Halprin
August – I organised a preview screening of The President plus Q&A with the film’s director Mohsen Makjmalbaf
September – Stealing Klimt plus conversation with the film’s producer, founder and Co-Chair of the Comission for Looted Art in Europe & Executive Director of the Association of Jewish Refugees. Organised with Second Generation Network
– I organised a screening of Perlman In Russia and an exclusive filmed interview, in partnership with Warner Classics
– I organised an evening with filmmaker Ruth Novaczek who was in conversation with Dr Rachel Garfield as part of Onwards and Outwards in partnership with the Institute of Contemporary Arts
– Jung and Film: Creativity and Madness presented by the Confederation of Analytical Psychology and The Tango Lesson screening with dance workshop took place this month
October – I began a new partnership with Cinema Italia UK screening the best Italian films that are not released in the UK, starting in this month with Se Dio Vuole. The series is continuing in 2016
– I organised a screening of A Syrian Love Story and Q&A with the film’s director Sean McAllister which I chaired
– Jung and Film: Creativity and Madness presented by the Confederation of Analytical Psychology and a special screening as part of the Kafka Festival at JW3 took place this month
November – UK Jewish Film Festival took place in the cinema and JW3 Howard Hall with a large number of special screenings and events
– Foodies Film Club in the Kitchen with Kosher Roast and the film Hannah And Her Sisters
– I organised a film screening of Hand Gestures including a Q&A with the film’s director, who I met on the course I did in Venice with CICAE in the summer
– I organised a screening of the film Letters From Palestine with Cinema Italia UK and I chaired a Q&A with the film’s director
December – I organised a screening of They Will Have To Kill Us First: Malian Music In Exile and a Q&A with the film’s writer Andy Morgan, chaired by Rita Ray
– I organised a one off preview screening of Rabin, the Last Day plus the film’s director Amos Gitai & Alain Elkann in conversation
– Cinema Italia UK presented Noi E La Giulia and there were film screenings and dance workshops with The Blues Brothers and Happy Feet during this month
In addition to these events I have also curated an artists’ film evening and chaired a Q&A with the film’s director for the film War Art with Eddie Redmayne at Chelsea Arts Club
2016 …
There will be many more Q&As and special events coming up for me this year to add to this list – here’s to a great one!
8 days in Venice soon for Art Cinema = Action + Management
Posted: August 17, 2015 Filed under: Film & Artists' Moving Image, News | Tags: arthouse, Biennale, CICAE, cinema, film, independent cinema, Italian, Italy, Venice, Venice Film Festival 2 CommentsI’m very pleased to tell you about some news – that I applied for and was successful in getting a (fully funded!) place on a unique training course called Art Cinema = Action + Management which is run by CICAE, the International Confederation of Art Cinemas. This will take place soon, from 31st August to 8th September. The course is the only international training programme for professionals working in the art house exhibition industry. The seminar is organised with the support of the Creative Europe’s MEDIA Programme and consists of around 20 trainers and 50 participants coming from all over the world, for an 8-day programme of lectures, workshops, case studies and screenings. CICAE is celebrating 60 years this year and you can find out about its interesting history here
The aims of the course are:
- To communicate with the new generation of art house managers the specific knowledge (methods, tools, ideas and contacts) they need for programming, event organisation and management of an art house cinema.
- Offer exhibitors a space where they can reflect on their practices, share their experiences and discover new opportunities in their industry
- Provide insight into the tools of the trade and the challenges faced by the sector
- Benefit from the skills of close to a hundred top-notch cinema professionals and trainers
- Create a network of contacts and exchange experiences with one’s peers
- Develop short and long-term projects
I’m really excited to have this opportunity to take part in 8 days of intense training, surrounded by the atmosphere of so much going on, as the course timing coincides with the 72nd Mostra del Cinema (Venice International Film Festival). So I am very much looking forward to lots of learning and collaboration as well as networking and screenings at the film festival. Its going to be really interesting for me to meet other people from all over the world, running arthouse independent cinemas, just like me! It’ll also be a great chance for me to be back in Italy (where I lived for a year) and practice my Italian which I am fluent in but it tends to go a bit rusty when I don’t speak often. The course takes place on the island of San Servolo, close to the Lido in Venice. San Servolo used to be a monastery and now is used for conferences and so on.
The other day I actually held a meeting at work in Italian which was great practice and a boost for my confidence to know that I can still do it! I’m very much looking forward to working with the wonderful Cinema Italia UK as a result of this. Cinema Italia UK screen films in London which would otherwise not have any release in the UK.
Its going to be great to be back in Venice. I was last there for the Venice art Biennale in 2011! Hopefully I’ll write an update on how it all went when I’m back. Ciao for now!
the sweetest cinema you ever saw
Posted: April 24, 2014 Filed under: Film & Artists' Moving Image, Global/ Travel | Tags: cinema, Devon, film, independent cinema, Kingsbridge, The Reel Cinema Leave a commentThe other weekend I had the pleasure of being in Devon to celebrate the wedding of friends. We stayed in Kingsbridge, a market town in the South Hams district of Devon situated in the South Devon Area of Outstanding Natural Beauty. Kingsbridge sits on its own estuary and is surrounded by green rolling countryside.
We discovered an absolute gem in Kingsbridge which is the town’s cinema. The Reel Cinema is the only independent cinema in the South Hams area of Devon, situated under the unusual three-sided town clock. The listed building was built in 1875 and was formerly the Town Hall housing the Town Council, Library, Police Station and Magistrates Court. The old prison cells can still be seen off the lower corridor.
There are three screens offering a wide range of films in Dolby stereo sound and each screen has an individual character.
The Premier Screen seats 54, is fitted with multiplex style seating and has luxurious fully curtained decor.
The Classic Screen seats 165 and is the original auditorium with proscenium arch and traditional features.
The Paradiso Screen seats 48 and is a cosy intimate space ideal for screening art-house films.

posing by the model of the Reel Cinema’s logo built in as a feature of the interior by the box office
We had the auditorium practically to ourselves on a Friday evening, where the box office doesn’t open until 15mins before the screening. Tickets were £6.80, popcorn was a couple of quid and a bottle of water was just 80p! Going to such a unique local cinema was a real treat. If a cinema like that was in my local area, I’d be there twice a week I think!