Last week I went to the press preview of the new Anish Kapoor exhibition at Lisson Gallery on Bell Street in London, which shows the work of the past year from this Turner Prize winning artist.
I enjoyed this colourful, playful exhibition which explores texture, pigments and materials.
You can read my review of the exhibition for One Stop Arts here
The exhibition is at Lisson Gallery until 10th November 2012.
please do take a look at my latest exhibition review for One Stop Arts
I have reviewed ‘FREE Art by Offenders Secure Patients & Detainees’ which is an exhibition on at the Southbank Centre (Spirit Level of the Royal Festival Hall) until 25th November.
I went to Suffolk (Aldeburgh) for the weekend and was charmed by the little seaside town on the East Suffolk coast. One of the highlights for me, was seeing Maggi Hambling‘s sculpture on the beach, called Scallop. Created in 2003 the 4 metre high sculpture made of steel, caused some controversy according to local residents and still does. From my point of view, Scallop is an example of a piece of public art that ticks all the boxes. The sculpture is beautiful, achieving an imposing and majestic figure against the seascape. It also has a fun and playful side, as it’s shape encourages children and indeed those of any age to clamber all over and sit on it, like I did!
Carved into the material, are the words ‘I hear those voices that will not be drowned’, from Benjamin Britten’s opera Peter Grimes. Britten lived and worked in Aldeburgh and he founded the Aldeburgh Music Festival. I have seen a performance of Peter Grimes at the Royal Opera House, London which I felt was a hauntingly memorable and turbulent work. The words are legible only when standing behind the sculpture, looking out onto the sea.
The Moot Hall, Aldeburgh
I was also interested to discover the Moot Hall in Aldeburgh, also situated right by the sea. The Moot Hall was Aldeburgh’s town hall, built during the first half of the 16th Century and it is one of the most important timber-framed public buildings in England. Originally the Moot Hall contained six small shops on the ground floor and a meeting chamber on the first floor.
I enjoyed spotting this chest (below) which dates from 1400 and was found washed up on the beach at Aldeburgh. Of course my imagination thought at once of smugglers!
I also admired the art nouveau style decoration on this commemorative plaque board which was made in honour of those connected to Aldeburgh who fell during the First World War
Finally, I climbed the Town Steps to find the Town Pump!
Unsurprisingly, I am more interested in the Cultural Olympiad surrounding the London 2012 Olympic Games, although I have found myself being caught up in a bit of Olympic Games fever as London are hosting them! I’m pleased that sound art has played its part and here are a few examples that I’ve enjoyed.
All The Bells – Martin Creed
Artist Martin Creed (who won the Turner Prize in 2001 for Work No. 227: the lights going on and off) created a nationwide sound piece for the morning of the Opening Ceremony of the London 2012 Olympic Games. Work No. 1197 involved ‘all the bells in a country rung as quickly and as loudly as possible for three minutes’ according to the website for All The Bells. I took part myself at the designated moment of 8.12am, ringing not a real bell as I couldn’t find one, but instead shaking my mobile phone as I had downloaded a mobile phone bell application which turned my phone into a ringing bell. I really liked the inclusive, celebratory nature of this mass performance piece so that All The Bells really did mean any bell, anyone, anywhere.
Hopefully not too many people were as extra enthusiastic as UK Culture Secretary Jeremy Hunt whose bell fell apart as he was ringing it!
Tales From The Bridge – Eric Whitacre’s Virtual Choir
Eric Whitacre has become an extremely popular composer of contemporary classical music, particularly choral. Whitacre uses social media to build his huge and growing fanbase (which I include myself as part of) and his work became even more well known after a TED talk allowed him to discuss his Virtual Choir project. Eric Whitacre’s Virtual Choir brings together singers from across the world, virtually. Singers sign up on line and can rehearse the chosen score and join forums online to get tips for working on the piece for the virtual choir. Then when they are ready, singers sing along to Whitacre’s conductor video, recording their voice. The piece is then edited and visuals are also inserted to create a sound art piece. Virtual Choir 3 (below) which I sung in too, included 3746 videos from 73 countries. Again,what draws me to Whitacre’s Virtual Choir project is the way in which music and singing (thanks to the power of technology) is used to unite people as a common language across the world.
Whitacre’s Virtual Choir 3 sound piece, Water Night, was seen and heard in Titanic Belfast: Following the celebrations around the opening of the new building and marking 100 years since the loss of Titanic, the projection of Virtual Choir 3 in the atrium of Titanic Belfast provided a moment of contemplation for the lost souls.
Currently, Water Night by Whitacre’s Virtual Choir 3 can be experienced as part of the world’s largest 3D soundscape in an Olympics installation on Millennium Bridge, called Tales From The Bridge.
Here is an amateur video of the Water Night experience on Millennium Bridge, London from a Virtual Choir 3 participant.
Anthem – Scanner
I have been interested in the work that electronic musician Scanner (real name Robin Rimbaud) creates, for some time. He is called Scanner because of his use of cell phone and police scanners in live performance. I really enjoy the variety of types of music that Scanner makes and the range of opportunities he takes up.
The UK’s top designers and artists were invited to contribute to delivering a world class creative showcase that will play host to some of the most globally influential business leaders during the 2012 Olympics and Paralympics Games at the British Business Embassy. Scanner was commissioned for the only sound work in Lancaster House, on the Mall in central London which is used extensively for government hospitality.
He presented Anthem, a sonic work that expands upon the British National Anthem, now a choral work of ten minutes duration and situated in the lavatories of the building, the only guaranteed room that every delegate and visitor will visit!
Anthem takes the UK National Anthem, God Save The Queen, into a slow moving choral work, filled with empty spaces.
You can hear Anthem by Scanner here
There was also plenty of sound and music featured in the Opening Ceremony of the London 2012 Olympic Games including favourite patriotic numbers by Elgar and a musical race through the decades of the best of British music. I thought the Isles of Wonder theme used by Danny Boyle made a fantastic opening ceremony spectacle. Here is a reminder of those beautifully musical lines from Shakespeare’s The Tempest
Be not afeard. The isle is full of noises,
Sounds and sweet airs that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices
That, if I then had waked after long sleep,
Will make me sleep again; and then, in dreaming,
The clouds methought would open, and show riches
Ready to drop upon me, that when I waked,
I cried to dream again.
Finally, here’s a picture of my Olympic rings fairy cakes that I made!