SYNESTHESIA I – launching my new visual art & sound series at Notting Hill Arts Club, curated by Kate Ross – Curatorial Curiosities

The new visual art and sound series that I am curating for Notting Hill Arts Club launches on the evening of Monday 3rd June with SYNESTHESIA I. I chose the name SYNESTHESIA for the series as it describes an experience that I have always been fascinated with, whether in connection to artist Wassily Kandinsky’s ‘music-painting’ or with regards to contemporary artists creating video art that stimulates simultaneous reactions to sight and sound. I also thought that the name SYNESTHESIA sounded like a club night which would work well for the venue – Notting Hill Arts Club. I think the name also stands out clearly and looks eye catching on the flyer that artist Nicky Carvell has designed for the night.

digital flyer for SYNESTHESIA I designed  by Nicky Carvell

digital flyer for SYNESTHESIA I designed by Nicky Carvell

ART SHOW

En Visage – Nicky Carvell

For SYNESTHESIA I Nicky Carvell has produced large-scale ‘Naff Graphic’ decals, mirroring the huge cut outs of musicians and sports people which still adorn the now stripped out interior of the Visage nightclub in Leisure World.

Sorry luv, you’re not dressed right.” Dismissed by the bouncer beneath the glare of the jaunty neon sign, Visage Nightclub was my teenage anathema,’ writes Carvell. ‘Having journeyed to Leisure World with my friends, I was not allowed in again despite the irony that I was the only one dressed in leisure wear, a rejection which embellished the notion of Visage as a glamorous otherworld that I would never experience – it is now due to be demolished.

The title “En Visage” signals this sophistication onto a fantasy land that will remain just that. It is this artificial jazzy sign that still fascinates me; the dream overriding the grotty reality.
Carvell sees her own cut outs as ‘signs’ to an alternate realm where anything is possible. Indulging on the look of ’80s post-modern record covers, fabric prints and TOTP set designs, these signs envisage uplifting visions which fizz before the eyes, dynamically flashing, always on the precipice.
Nicky Carvell’s work celebrates commercial visuals which may be stylistically outdated, but yet retain a powerful presence through their innate dynamism. Carvell sees her work as a simultaneous deconstruction and veneration of mass-market visuals, becoming retro yet progressive at the same time.Nicky Carvell has exhibited in London, New York, Milan and The Netherlands.
She has a BA in Fine Art from Goldsmiths College and a Postgraduate Diploma in Fine Art from Royal Academy Schools, London. www.nickycarvell.com

Nicky Carvell’s En Visage works will be on display until August 2013.
Nicky Carvell's En Visage logo designed especially for the exhibition at Notting Hill Arts Club

Nicky Carvell’s En Visage logo designed especially for the exhibition at Notting Hill Arts Club

LIVE PERFORMANCES

IKTA LIVE – Victoria Trinder & Collaborators

IKTA presents a session of experimental sound play, featuring Victoria Trinder and special instrumentalist guests. Working with traditional modes of composition in conjunction with and interactive sound objects that introduce an element of the unpredictable.

IKTA logo

IKTA logo

Victoria Trinder works in collaboration with other creatives operating within a multidisciplinary arena. She highlights and documents exchanges that take place through dialogue and activity, championing the symbiotic relationships that are embedded in our contemporary day-to-day society.

saxophone is amplified  & ready for an IKTA live sessoin

saxophone is amplified & ready for an IKTA live session

Trinder founded IKTA (I Keep Thinking About) an Internet Radio station that acts as a platform for emerging creative voices regardless of age, gender and cultural backgrounds. IKTA broadcasts experimental sound sessions that occur at headquarters in North London.

equipment set up for an IKTA live rehearssal

equipment set up for an IKTA live rehearssal

Victoria Trinder holds a BA in Fine Art and is currently studying for her MA in Fine Art at Chelsea College of Art and Design. She has exhibited in the UK and internationally, recently being selected for feature at Pnem Sound Arts Festival, Holland. She holds a Post Graduate Teaching Certificate, obtained from Goldsmiths in 2008 and continues to work with adults and young people in and around London where she lives. www.victoriatrinder.com

HORSELESS HEADMEN

Any band that can play ‘spontaneous soundscapes’ influenced by avant-rock, progressive dub, classical, latin and soul with some electro-industrial and psychedelic skronk have got to be great musicians, and that sure applies to GD Painting and Horseless Headmen, whose improvisations may feature ‘churning groove, soaring melody, glorious racket and epic abstraction.’ Fans of Can, Faust, King Crimson and Song X will like this too. www.facebook.com/HorselessHeads

Horseless Headmen performing

Horseless Headmen performing

HALF AN ABORTION

Half An Abortion is far more considered than the gonzo band name would have you expect: this is carefully-layered, properly physical noise, some of which could be lazily described as ‘harsh’. Yet it actually has a very engaging flow, a wry humour and a structure that invites the listener to climb all over it.

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I am really excited about the first event in the series and invite you all to come and join in at Notting Hill Arts Club. Please join the Facebook event through this link.

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One Comment on “SYNESTHESIA I – launching my new visual art & sound series at Notting Hill Arts Club, curated by Kate Ross – Curatorial Curiosities”

  1. […] More photos from the night can be seen on my Facebook page here and for more information about the artists, please see a previous blog post I wrote here. […]


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