I am the Chelsea Arts Club Trust Research Fellowship – CHELSEA space Award recipient

I am delighted to announced that I am this year’s recipient of the Chelsea Arts Club Trust Research Fellowship – CHELSEA space Award. This means that I will be based at CHELSEA space gallery 3 days a week, (from September 2012 for a year) working on every aspect of running a gallery, whilst exploring my own curatorial research interests. The award aims to promote professional development opportunities and mentoring for a candidate with the ability and potential to make an exceptional contribution in the area of curatorial practice and gallery management. The Award is aimed at encouraging those who would benefit from study and practical experience in a ‘live’ gallery context to realise their full potential. You can read more about the Trust here .

making up mirror plate frames to hang work for the DOME: Ralph Tubbs and the Festival of Britain exhibition at CHELSEA space

I am so pleased and excited that I have received this award and with it, the opportunity to develop my research into and work with curating and hopefully further my career in this area. I am gaining direct hands on experience in gallery management, designing of exhibitions, brand identity, communication, networking and team work, creating publications and archiving and documentation. In my first week working at the gallery, I got stuck in straight away installing the first exhibition of this season which is called DOME: Ralph Tubbs and the Festival of Britain.

our key framing tools up close – drill, braddle, mirror plates and screws

Having never even picked up a drill before, I have already accumulated so many practical skills in my first week as I have been drilling, framing and hanging work for this exhibition. After overcoming my initial nerves, only due to lack of experience, I have discovered first hand that it’s true… practice makes perfect!

our gallery work table with everything we needed for framing and exhibition installation – the work (photographs), mounts, frames, spirit level, drill, braddle, mirror plates…

I have been learning by doing and observing and this week I have been involved first hand, in the steps involved in designing and planning a professional exhibition. I have been able to make decisions regarding the selection of work to include and how to display or hang it. I have also been made aware of the factors that the exhibition viewer or visitor does not take into account, that need to be considered, such as distances between objects for navigating the space or how the exhibition looks from outside the gallery’s transparent window as well as from inside.

empty walls, empty vitrines and a work table full of tools. You can just about see one of the buildings of Chelsea College of Art & Design, that the gallery is on the site of, in the background reflected in the vitrine.

the gallery looks like a frame shop – full of frames to be filled with work for the exhibition!

For this exhibition which displays mainly archival material including photographs and other works on paper, we used vitrines and frames to install the work.

I have also come to realise that there is far more maths involved in art than I had dared imagine (I gave up maths & science subjects in school, as soon as I could to focus on arts & humanities subjects) as I learned about calculating measurements for hanging works accurately with my new best friends the tape measure, pencil and spirit level.

In the example in the picture below, we were hanging frames on a ramp which is an important architectural feature of the gallery space. So we needed to decide by how much to increase the level for hanging, also considering the incline of the ramp that the viewer stands on.

frames hung with an incline on the wall of the gallery’s ramp space

Another curatorial concern, visually, was considering the aesthetic nature of the frames being used as some were white and some wooden. In the end, we decided to mix them up and on the largest expanse of gallery white wall, we also blended hanging at different levels as we wanted to give the impression (along with the vitrines and material inside them) of the architect Ralph Tubbs who the exhibition focusses on, at work in the studio setting.

the large gallery wall space with a mixture of white and wooden framed works of different sizes

Finally, I love this image of the architect’s drawings and blue prints, having been rolled up for years… they will be exhibited in a vitrine after the favourite has been chosen to sit on top, the other layers will be stacked underneath tantalisingly, don’t they look great? Maybe they remind me of scrolls and it must help that I have an interest in old works on paper and a love of old books. These drawings even came with their own authentic smell when we un rolled them!

drawings and blue prints from the architect Ralph Tubbs, which will be covered more by a vitrine lid for the exhibition

I am very much looking forward to the private view of this exhibition DOME: Ralph Tubbs and the Festival of Britain which is tomorrow evening Tuesday 11th September at CHELSEA space (16 John Islip Street London SW1P 4JU). The exhibition is also part of the Icon Design Trail and the London Design Festival.  The exhibition is open until 20th October and I will be there working in the gallery Tuesdays, Wednesdays and Thursdays if you’d like to come and visit, I’d love to see you!

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6 Comments on “I am the Chelsea Arts Club Trust Research Fellowship – CHELSEA space Award recipient”

  1. […] we both work. I am the Chelsea Arts Club Trust Research Fellow (which I write about in this post here ) and Daisy is the Ashley Family Foundation Research […]

  2. […] read more about my CHELSEA space award and what that involves me doing in a previous post I wrote here and my role was also written about by Donald Smith, Director of Exhibitions at CHELSEA space in […]

  3. […] As it is the 1st February, 2013 I have decided at the end of a busy month to look back at how I spent the arrival of the 1st January 2013. On New Year’s Eve I went to the Hogmanay Ball at the Chelsea Arts Club where I am lucky enough to be a member this year, thanks to the fact that I’m the Chelsea Arts Club Trust/ CHELSEA space Research Fellow, which you can read more about here. […]

  4. […] space . As part of my role this year as Chelsea Arts Club Trust Fellow  (which you can read about here), Donald Smith – Director of Exhibitions at CHELSEA space informed my colleague and I that […]

  5. […] by the artist took place recently at Chelsea Futurespace, Grosvenor Waterside. Part of my role working at CHELSEA space, also involves me working at Chelsea Futurespace, where I recently co-curated the exhibition […]

  6. […] completed my fellowship tenure working at CHELSEA space thanks to the Chelsea Arts Club Trust at the end of the summer and was then busy as curator at […]


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