Photography, Film, Design & Soundart. PhD show Research in progress: Pushing Boundaries and Practices, London College of Communication

Working at Chelsea College of Art & Design allows me to access activities which take place across the six colleges that make up University of the Arts, London. I made my first visit to London College of Communication (LCC) to see an exhibition of LCC PhD research student work in photography, film design and soundart. The show is called Research in progress: Pushing Boundaries and Practices and the catalogue for the exhibition can be viewed online, here. One of the participants in the show is sound artist Tansy Spinks, who I worked with on a sound piece that I wrote about in this post.

Since the exhibition was spread around the college, seeing it was a great way for me to get to know the LCC site which is huge and made up of some interesting spaces like the Tower Block, the Well and the Atrium as shown below, which reminds me of the Guggenheim Museum building in New York.

the Atrium at London College of Communication

I was fascinated by the range of subjects that are being studied and researched into, in such depth and I was most interested in work that linked various media. Here are some of the pieces that I was most drawn to from the exhibition.

Magz Hall is a sound and radio artist conducting a practice based PhD in Radio Art. Her piece in the exhibition was shown in a small cupboard sized room, with a black curtain instead of a door to keep the light out. On a blank wall, images were projected with sound clips from radio transmissions. A leitmotif that returned throughout was the theme of The Radio of The Future. Magz considers radio art and explores the relationship between the artist and technology and the role of the artist as mediator between the broadcast institutions and the listening public. The artist also explores the idea of how radio has changed from a shared ‘live’ event to one consumed ‘on demand’ by a fragmented audience. An interactive touch to her piece, was the book left on the side, where visitors could leave feedback and write a radio message using the code she had left on the wall.

still shot from Magz Hall's film concerning radio art

still shot from Magz Hall's film concerning radio art

Magz Hall's book inviting viewers to write a radio message

Magz Hall's book inviting viewers to write a radio message

Magz Hall's table for radio message coding

Magz Hall's table for radio message coding

I was intrigued by Rob Mullender’s work and for the exhibition he had displayed what I would like to describe as ‘sound pictures’ which are both fascinating and beautiful to look at which definitely adds to their appeal. Rob is exploring the best way to record an object and has used a rubbing or frottage technique, allowing an object to write itself using itself, creating an exploratory imprint. The end result takes inspiration from drawing, mark making, photography and other media.

an example of Rob Mullender's exploratory imprints

an example of Rob Mullender's exploratory imprints

Finally, looking at work from Tansy Spinks that she included in the exhibition. Tansy is a skilled violin player and in the exhibition, she showed a film of her playing a violin that was given to her with the bridge piece missing. In this still shot from the film, she has replaced the bridge piece, with a mobile telephone and in the film it was replaces with a variety of other unexpected objects.

 

Tansy Spinks playing violin using a mobile phone as the missing bridge part

Tansy Spinks playing violin using a mobile phone as the missing bridge part

I also discovered the wonderful Special Collections connected to the library at London College of Communication, but that’s a story for another post soon…

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2 Comments on “Photography, Film, Design & Soundart. PhD show Research in progress: Pushing Boundaries and Practices, London College of Communication”

  1. […] Review of PhD group show […]

  2. […] The process of putting this exhibition together has not only been a vehicle to looking beyond the bookshelves and discovering the history of the space, but also a way of exploring the process of curating and the multi facetted role of the curator. In order to create this exhibition, the curator fulfilled the roles of researcher, writer, editor, logistics project manager, artistic director and negotiator. The artists showing their work in this exhibition were chosen because of their direct links to the curator and working with each of them has marked important points along her career journey. The curator met book arts artist and painter Julie Caves during a short course completed in Independent Curating, at Central Saint Martins College of Art and Design. The curator met sound artist and photographer Tansy Spinks at a Camberwell College of Arts led trip to the Venice Biennale. This lead to the curator assisting Tansy with her live performative sound work Silent Zone, Site and Sound which was discussed in a previous blog post of mine that you can see here. The curator was introduced to the work of Phil Jones (a designer and typographer carrying out a PhD, the thesis title of which is The bones of the book: Schematic structure and meanings made from books) by Tansy Spinks at the London College of Communication PhD research show Research in Progress: Pushing Boundaries and Practices. You can read more about that exhibition which I wrote about here. […]


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